Note 01 - When the Work Introduces You to Yourself
I thought my work was difficult to describe.
It didn’t lack direction, but I was trying to explain it project by project.
Fashion.
Art.
Brand development.
Leadership.
Business.
Writing.
From the outside, they looked like different careers.
Creating this website helped me go deep enough into my own body of work and do something new:
To stop looking at the projects individually and begin looking for the thread connecting them.
What I discovered was so interesting:
Every project had been asking the same question.
What matters most?
I hadn't noticed it while I was busy in the work, doing the work.
I only recognised it when I looked back.
That was aha moment for me.
Because I realised my work has never really been about fashion, branding, exhibitions, or even business.
It has always been about paying close enough attention that something essential has a chance to reveal itself.
A founder's perspective.
A business's true strength.
A pattern hidden beneath complexity.
The one decision that changes how you look at the core dna of the business or artistry.
That is when the actual creative work begin.
That is when we decide what to build.
And, I thought this was how everyone approached creative work.
I now realise it isn't.
It is the practice I've been organically developing throughout my career.
I can see it in every chapter.
At Samuji, where I learned that values become visible through every part of a business.
At ASK, where I discovered that coherence creates trust.
At Marcy, where I learned that atmosphere shapes how we experience art.
While writing Space to Feel, where I finally found language for what had been guiding me all along.
The work didn't give me a new identity.
It helped me return to one that had been there all along.
That's one of the greatest gifts of creating anything over a long enough period of time.
Sometimes we think we're building a business, or writing a book, or curating an exhibition.
Only to discover that, actually, the work has been shaping us too.
These days, I'm much more interested in recognising what parts of me get more fully expressed and seen through the work itself.
What parts of you have you come to see and recognise more lately?